Showing posts with label DJI. Show all posts
Showing posts with label DJI. Show all posts

Sunday, 25 March 2018

New Photo Story! New Togging Challenges! More on the Vlogging Thing! MORE!!!!! (I think this is gonna be a long one...)

Busy Busy Busy!

And the problem is I’ve been busy with stuff that has nothing to do with photography. I haven’t actually been able to take my gear out for some serious photography in nearly a month, so I haven’t had anything to write about, photography-wise, for about as long. But no longer! This week has been all about the togging, so I can finally write stuff. Woo to the Hoo. But where to start?

I guess I’ll start with the hiking gear and the problems I’m having with it.

The Hiking Gear and the Problems I’m Having with It

When I was in the army they taught us how to pack our kit so we had everything we would need for a long time out bush in a relatively small bag (2 weeks worth of gear in a 50L bag). And I can still do that... sorta. 

Y’See, when I was in the army I could fit in the army sleeping bags, curled up all snug in my customary foetal sleeping position. But as I have grown older my body has filled out more, my shoulders have broadened and I just don’t fit anymore. I’ve got an army sleeping bag right now and being in it is like wearing a sleeveless wetsuit! Fortunately, my super-secret contact bought me a king size Weisshorn Camping Thermal Sleeping Bag for Christmas. I’ve tested it out and it’s great! I fit in it comfortably, it’s warm, soft and comparatively light. But it is a bit bigger, so it does take up a bit more space in the old pack. Not too much, but more than the ‘wetsuit’ option mentioned above.

Then there’s the problem of getting older. I’ve done a whole lot of dumb stuff in my life, the result of which being a body that is pretty much all aches or pains. So I need a comfy little camping mattress to ease my pains so I can get to sleep, and the hard foam camp roll yoga-mat-lookin’ thing just ain’t gonna cut it anymore. I bought a flocked single air mattress, and it is ever so comfy, but it
needs a pump to inflate it (huge freakin’ valve opening – look at it!), making the whole kit nearly as bulky as the sleeping bag, so that ain’t gonna cut it for hiking excursions. So that’s two bulky items; one I can cope with (sleeping bag) and one I need a solution for (mattress).

Then there’s the big one – the camera gear. Right now I don’t have a lot of camera gear and none of it is extremely bulky but it’s still too bulky for my backpacks, either of them, when the packs are loaded with camping gear. Part of the problem comes from the fact that my gear has to travel in a bag so that, once I reach my camping site, I can grab my gear and set off in search of compositions. I can go with the solution Thomas Heaton uses (hopefully I can get him to read this and offer me some advice!), that being a camera bag liner in the pack, but then how do I carry the gear on the searches? He never really shows that in his ‘what’s in my bag’ videos. Not that I’ve noticed, anyway.

I think the only solution is going to be another backpack. But this time I know exactly what I need from a pack and can go into it informed. So which pack am I looking at?

Caribee Jet Pack Travel Pack – The 75L version of this one seems the most logical choice. It
will give me plenty of storage space for my camping gear, external straps upon which I can fix things like my tent, my tripod and my hiking poles, and most importantly, it comes with a zip-attached day pack that I can build a camera bag liner for using tough polyester fabric and that camp roll mattress thing that is otherwise useless. The only problem I’ll be left with then is what to sleep on! Do any of you have some suggestions for me on this one?



So that’s the hiking thing. Next I suppose I should go on to my new project.

My New Project

So my Q-West Gallery project is suffering from an acute case of bad timing, meaning I just can’t get those people in position that I need in position when I’m in position to get the final few photos I need to start building the final presentation (that sentence should give you an idea of the complexity I’m dealing with!). The problem, I suppose, comes from the fact that all the little duckies I need to get in a row are in Queenstown, 154km’s away from where I am in Somerset. This is starting to get frustrating so, rather than just twiddling my thumbs, I am starting research on a new project.

This new story, Heritage in Decline, will look at abandoned buildings, factories, farming equipment and towns (yeah, Tassie has ghost towns!WOOHOO!!!) and ask the question, “What do we lose if we lose these places?”

By that I mean, what can we learn about the building, factory, town, etc that might expand our knowledge about the farm, the workers, the people that occupied these decaying spaces? I am hoping to stimulate an interest in the microhistory of Tasmania, and the rest of the world really. Why? Because we have enough books talking about the big players in the big events in history. We can easily lay our hands on a hundred books about World War II and another hundred about why the first hundred are wrong. But how many books are there about the challenges of farming central Tasmania in the 19th or early 20th centuries? What do we know about the life experiences of a mother living in Pillinger in 1890? I think a photo story presenting the right view may just provide the stimulation I’m aiming for. Whether I can provide that right view is another question, one that I will need to answer before I decide whether or not to go ahead with it.

 So I’m researching locations to scout, searching for old buildings with the character and level of decay I’m looking for, and cruising the back roads in search of old buildings I can practice on. I’ll keep you up to date on this one if you are interested, so let me know! And let me know if you have done something like this yourself. What sort of problems did you face? What sort of problems do you think I’ll face?

If I decide to go ahead with this project, I’m thinking that might actually give me enough fodder to justify the purchase of a vlogging kit. I guess I’ll cover that next.

Vlogging Kit

Gear time! I do love gear time.

So what am I looking at? Well camera-wise I want to go compact, durable, portable and easy to use. There are a lot of options out there, but here are the ones I’m thinking of, and why I’m thinking of them:

DJI Osmo+ - This comes with the Zenmuse x3 Zoom 4k camera, has a minimum focusing distance of 50cm and comes attached to an intelligent gimbal system, all which weighs in at less than 500g (corrections welcome – I’m not sure of my numbers here). This makes it perfect for stuffing into my hiking pack (if I can figure that problem out) for vlogging some middle-of-nowhere building photography. The problem is I have no idea how the audio is out of these things, so...



Panasonic Lumix G7 – This seems to be TCSTV’s go-to suggestion for vloggers, and I can see why. It’s a well priced 4k camera with a micro four thirds sensor, a good range of lens options available and a flippy-out selfie/vlogging rear display. And it’s small. A G7 with the Panasonic 14mm F/2.5 wide prime weighs in at only 465g. That’s a nice small kit that I could carry in a pocket. Once again, though, I have to ask ‘how’s the audio?’ And then there’s the lack of the gimbal that makes the Osmo+ so attractive. And there’s also this:



Canon EOS M50 – This thing really gives the G7 a run for its money! It offers the tried and tested sensor from the 80D, a flippy-out rear display like the G7’s, 4k video and Canon’s Dual Pixel AF, which is apparently god’s gift to vlogging! But you can’t have Dual Pixel AF with 4k, which messes with my head a little. I have no idea what Canon was thinking there, but in my opinion they need to think again. Still, Dual Pixel AF at 1080 is still fantastic, and might be enough to draw me away from the G7. At 487g with the Canon 22mm f/2 it’s not that much heavier that the G7, but it is a fair bit pricier here in Oz. Again, cameras like this and the others I’ve mentioned don’t have the best reputation for audio, so let’s address that now.

Audio Kit

I’ve been thinking about audio quite a bit since I started thinking vlogging. I wear a hearing aid in my left ear, on those occasions when it works and my ear isn’t blocked, so I like good clear audio. I am also on a limited income (I may have mentioned) so when I look at gear I have to look at quality of the product for the price being asked. For these reasons I am thinking about these combinations:

Zoom H1N Digital Recorder – If I find myself going with the Osmo+ I’m thinking external audio is going to be easiest, and Zoom seems to be the buzzword for external audio, so the Zoom H1 suggests itself. Reasonable price, compact, good reputation for audio. I’d likely team it with a Rode Pinmic so I can get the microphone right up near my mouth and minimise the ambient noise factor.

 
Mirrorless Kit -
 If I go mirrorless, I’m thinking the Saramonic SR-PAX1 2-Channel Mixer with Preamp will give me some good audio and I’ll mate it with a Rode VideoMic. Why Saramonic? Their gear is priced to fit my budget and, from what I’ve seen, heard and read in reviews, they provide great audio for the price. But I won’t know for sure until I actually get hold of the stuff and try it out. Why Rode? I like my little Rode SmartLav+, so I think I’ll like the VideoMic. Sometimes I just go with my gut.

Now, there is a final kit option that I have to consider, and in considering it I have to say it looks like a sensible choice. I’m thinking about my Nikon D3200 in manual focus using hyper-focal distance to keep myself from getting all blurry, teamed with the mirrorless audio kit above. 



There are pro’s and con’s to this option:
PROS
CONS
I already own the camera and lens, so I’m not spending big
Nikon’s autofocus in video mode is reputedly awful
I already know the camera and can start learning the video functions now
No 4k, only 1080 or less
Light enough for me to vlog with
Much heavier than the other options with my wide lens attached.
Sharp image
No stabilisation on anything but my kit lens

So that’s what’s come about in the last week, and wasn’t it a lot of shite to happen all at once?! Now I know you don’t like commenting, and most of you are probably bots, but if there are any humans reading this and you have experience with hiking or camping, taking photos of abandoned or derelict buildings, or if you know anything about vlogging or audio gear... well... help a blogger out?

Which of these have you done?

What camping gear do you use?

What vlogging gear do you use?

What audio gear do you recommend?

Do you have a preferred backpack for hiking? What is it and why do you like it? 

As always, I hope you enjoyed the read! If you did, give me some feedback! If you didn’t, give me some feedback! (Get the feeling I’d like some feedback?)

Anyway, I’ve added some new stuff to my portfolio:
And I’m fairly active on:
And I am @BobCartPhoto on Twitter
Ciao!

Thursday, 15 February 2018

What's News 4



No mucking about, let’s just get straight into the news!
Sigma News
Sigma 14-24mm f/2,8
Sigma has announced their new 14-24mm f/2.8 ART lens for Sigma, Nikon and Canon mounts (anyone got a Sigma camera? If you do, or you know someone who does, let me know, I have questions!). Featuring 17 elements in 11 groups, a 9 blade rounded aperture, a max aperture of f/22 and weighing in at 1150 grams (exactly the same as their 12-24mm f/4 ART lens) this promises to bring the heat to Nikon and Canon. Neither the release date nor price for this new ART lens has been released yet, but as soon as I know, you’ll know. Watch out, Nikon and Canon, because if Sigma start doing their ART, Contemporary and Sport lines for Sony FE mount, I think you’re going to see a mass exodus! Just my opinion.
DJI News
DJI have introduced their DJI Knowledge Quiz to the drones in Australia. The 9 question quiz is designed to test a pilot’s knowledge of “simple safety rules”, and each question must be answered correctly before the pilot can fly. There is no indication of how the pilot might be prevented from flying in the press release, so I’ll make contact with DJI and see what they can tell us.
New DJI Mavic Air
Video News

Red Digital Cinema, in conjunction with Foxconn (an iPhone manufacturer) are getting set to make 8k video cameras available to the consumer market. A spokesperson for the project is quoted as saying that these new caeras will be “a third of the current prices and a third of the current size.” This has got to be big news for the budget videographer, but keep in mind that when they say “a third of the current prices”, what they mean is a third of between $29,000 and $80,000. So 'woohoo' on the 8k cameras, but take it with a grain of salt.

I’m keeping it brief this week, but I’ll keep you up to date on DJI’s potential response to my enquiries, and of course on any other quick snippets of news that that I think are share-worthy! And don’t forget next Monday’s post. Or last Monday’s post! Or any of last year’s posts! And don’t forget tell your friends not to forget my posts!
And let me know what you think of this short-form news. Do you like it? Would you like this sort of quick news summary all the time? Tell me your thoughts!

 
Happy Photography, I hope you enjoyed the read!
Remember to check out my portfolio at:
You can also find me at:
And I am @BobCartPhoto on Twitter

Thursday, 23 November 2017

What's News



Thursdays are news day from now on, folks! I’ll go through the news of the week, pick my top stories and give you my spin. One story each week I’ll go into with a little more depth, giving my views or cutting through the crap, depending on the story. Now let’s get into it!


Sigma have released the 16mm f1.4 DC DN Contemporary lens for Micro 4/3 and Sony E-mount cameras. According to Sigma this lens, second in a line of lenses that began with the 30mm F1.4 DC DN Contemporary, is the first lens for the Sony APS-C line of cameras that offers an equivalent 24mm focal length with an f1.4 aperture, and from a quick browse through lenses on offer for Sony E-mount cameras this would seem to be the case (if you know something I don’t, let me know!).
The lens is constructed of 16 elements in 13 groups, made of “the finest materials” (I find myself wondering what “finest materials” actually are... Oh well!). This design includes 3 FLD glass elements, 2 SLD glass elements and 2 moulded glass aspherical elements, the combination of which reputedly minimises optical aberrations such as coma, flare, ghosting and onion ring Bokeh. The result of all this is a lens offering “superb resolution”. Unfortunately, the announcement does not offer a definition for “superb”, so it is up to you to make your own determination.
Honestly, I think this looks like an interesting lens and I would love to get a hold of one to take for a test drive. Maybe I could figure out what “superb” means. I’ll put the link to the announcement at the bottom of this post so you can have a closer read if you so desire!
It’s selling in Australia at the moment for around A $548.

DJI have also announced and interesting piece of gear this week, particularly if you are into drone racing!
The DJI Goggles RE (Racing Edition) come in a new metallic matte black colour with red leather padding on the head band, apparently offering a more comfortable wearing experience. These new goggles are reported to give the wearer access to full flight data, flight setting adjustments and control over the camera gimbal.
These goggles are being released in conjunction with the new OcuSync Air Unit. This camera module has been designed to be attached to any drone or, indeed, any other remote controlled vehicle. The OcuSync unit synchronises with the DJI Goggles RE to give the user a real-time first person view from their remote controlled vehicle.
Shipping at the end of November, the DJI Goggles RE are going to sell for around US $549, or you can drop US $859 for the DJI Goggles RE Combo. That will get you the goggles, one of the OcuSync Air Units and a DJI Goggles Carry More Backpack. The link to the story is at the end of this post.

Finally, I was going to take a look at the ‘Sony Star-Eating’ story as it seems to be gaining some traction this week. The problems is the story only seems to be gaining traction because there’s not really anything else going on. It looks like a case of recycling the old to pad out a boring week.

The link to this announcement from DJI is:
And the Sigma lens article link is:
Have a look, have a read and share your thoughts!

If you like what I do here, please comment. If you don’t like what I do here, please comment. Tell me what you like and what you don’t and I’ll do my best to give you what you’re wanting.

And don’t forget to check out my portfolio at:
You can also find me at:
And I am @BobCartPhoto on Twitter

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